![]() While it had its charms, it was pretty tepid stuff compared to the E.C. And his comic followed that pattern, vanishing after 6 issues, barely enough time for sales reports on the first couple of issues. It set up the premise of a Stranger who would enter people’s stories, have an effect on the resolution, and then vanish. In any case, the art was provided by Carmine Infantino, maturing into his modern style as one of the industry’s leading talents, with inks by Sy Barry. I’ve seen those first stories (there were three in the issue, plus a very short anthology type tale) credited to Manley Wade Wellman, a prolific pulp writer who did a bit of comics work, and John Broome, one of editor Julie Schwartz’s favorites. It was part of a mystery moment for DC: Sensation Comics had become Sensation Mystery, Star Spangled Comics demoted Robin from the cover feature in favor of Doctor 13, The Ghost Breaker, and House of Mystery (named after a popular radio program) had debuted. The original thought was to do a riff on Mark Twain’s the Mysterious Stranger, and if you look closely at that first issue you can see the lettering was originally done for the longer word and then corrected. ![]() ![]() For the ancient history buffs, the Phantom Stranger launched as a title of his own in 1952, at a time when it was pretty rare for DC to debut a character in their own pages. ![]()
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